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  • Global Lives Project

Global Lives Project

Voting Summary (Elevator Pitch):

An online video encyclopedia of human life experience; a unique video installation that can be assembled anywhere on earth; a chance to jump out of your reality and into one you would never have known. Collaborative, volunteer-driven, open source.

Supporting organization:
Museum of the Person (Museu da Pessoa, São Paulo, Brazil )
URL:
http://www.globallives.org
City:
São Paulo
State/Region:
SP
Country:
Brazil
Project Vision Statement & Potential Social Impact:

 

GLP Logo

Our vision is a constantly growing collection of video footage based upon 24-hour uninterrupted recordings of diverse individuals from around the world, available for free online and collaboratively subtitled, tagged, and mapped. We have already benefited from volunteer contributions from more than 40 independent filmmakers, photographers, designers, programmers and everyday people from nine countries.

After completing our ten pilot shoots, we will re-launch our website with three types of video content available as streams and podcasts: short videos (<ten minutes) recorded during a 24-hour period, life story interviews, and full 24-hour videos divided into segments for unedited online viewing.

Mockup of website opening page:

Website re-launch mockup opening page

 

Sample subject page:

Sample subject page

Parallel to our online portal, we have developed a portable video installation, which can be built and displayed with materials and technologies available in any major city on earth. This physical incarnation of our virtual collaboration will welcome individuals from all over the planet to our community. Volunteer docents will lead organized school visits and content-creation workshops and multimedia curriculum kits will be distributed to educators.

Installation from above:Global Lives Installation from above

 

Central viewing chamber:
Global Lives central viewing chamber

View a 3D animation of the exhibit» Detailed exhibit description»

The ten pilot subjects for the installation will be selected to roughly represent the world's population, based on the criteria of world region, population density, age, income, religion and gender.

Pilot subject selection process:

Subject selection process

 

By bringing together a suite of existing technologies—online video, wiki-based translation, tagging, social networks, and mapping—we are creating a community of content creators and viewer-participants who are being transformed by their intimate contact with human realities utterly different from their own.

The transformative capacity of interpersonal connections across world cultures has been clearly established in studies on effects of international exchange programs—past participants are found to be more culturally sensitive, aware of global events and active in their communities.

By emulating the experience of immersion in another culture and reality, we aim for similar results—piquing curiosity about the world and reshaping the lenses through which we understand international cultural, political and economic relations. In this way, we see our work as a bridge to a more inclusive, just, and meaningfully interconnected world.

Sustainability (financial) model:

Between years 2007 and 2010, we will transition from being 100% dependent on donations and sponsorships to having a revenue stream that covers approximately 60% of our project expenses, based upon three major revenue sources: TV licensing fees, DVD/book sales and museum ticket revenues and fees. While donations and sponsorships (both cash and in-kind) will continue to make up an important part of our funding base into the future, this diversification into revenue-generating activities will secure our autonomy and sustainability.

We have already made inroads at US & UK cable/satellite channel, CurrentTV, WGBH Boston and New York City’s Downtown Community Television (DCTV). Through these connections we are planning production of broadcast-quality short videos (5 to 10 minutes) of each of our ten pilot day-in-the-life recordings along with an hour-long piece.

This video content will also be made available for purchase as a standalone DVD as well as in a book/DVD set available for sale on our website as well as at exhibitions.

Ticket sales revenues and direct payments from host venues will provide a third income stream that will ensure the project’s financial stability into the future, guaranteeing the production of new content, maintenance of our website and continued exhibitions.

Potential obstacles:

One major obstacle is ensuring the production of high-quality, original video content in regions of the world where independent filmmakers are few and far between and equipment access and broadband internet are difficult to secure. Our teams in India, Indonesia and Malawi are tackling this obstacle with great success, networking with local TV producers and studios to secure volunteers and equipment loans.

An additional obstacle is making content available in multiple languages on a scalable and inexpensive model. Our programming team is currently developing a collaborative online subtitling tool using Flash video that dynamically displays subtitles from wiki source files.

Resource Needs:

Resources needed fall into three major categories: 1) video and computer equipment, 2) programming expertise and 3) financial support.

Equipment needs include professional HD cameras, LCD projectors, compact desktop computers with DVI outputs and video editing equipment.

Programming needs are in the creation of an online community and design of a scalable graphical interface integrating dynamic mediawiki, HTML, and FLV content around a Google Maps/Earth API with scalable multilingual support.

Financial support is essential at this time to ensure that volunteers are effectively managed and that an infrastructure for content processing and display is in place as soon as possible.

Key Milestones:

During the next 90 days, the foci of the project team are three-fold: 1) production of video content in Malawi, India and Indonesia, 2) development of web platform for re-launch with dynamic video content, and 3) fundraising from foundation, corporate and individual donors.

The following timeline demonstrates milestones achieved and future goals:

2004
Q4 San Francisco Shoot
First Architectural Sketches

2005
Q1 Website Launched
Q2 San Francisco video & first brochure produced
Q3 CELL Space Fiscal Sponsorship
Q4 Partnership with Museum of the Person, São Paulo

2006
Q2 Brazil Shoot
New Brochure & DVD produced (English & Portuguese)
Q3 Video Guide produced, sent to India & Indonesia
Advisory Board formed
Flash website launched»
Intern hired in São Paulo
Promotional video complete
Q4 $10,000 raised (over Q1-Q4)

2007
Q1-4 Fundraising & Promotion
Q2 Production: Malawi
Q3 Production: India, Indonesia
Q4 Production: Europe, Middle-East
Secure commitments from major venues in US, Brazil, India
Fundraising goal: $150,000

2008
Q1 Production: North Asia, Central Asia, East Asia
Q1-2 Post-production
Q2 Website with 10 shoots complete, accepting submissions online
Books & DVDs published
Q3-4 Exhibit launched, US tour (3 cities, 2 months each)

2009
Q1-4 Five additional exhibitions complete (Brazil, India)

Project Summary:

An online video encyclopedia of human life experience; a unique video installation that can be assembled anywhere on earth; a chance to jump out of your reality and into one you would never have known. Collaborative, volunteer-driven, open source.

Comments

Brilliant

I really like this concept. Here we see practical education about cultural differences while at the same time celebrating the fundamental humanity of different people from different parts of the globe? It's like creating 10 intense immersion experiences and displaying it in one place in a way that is economically accessible to thousands!

 

Great work! 

GREAT

ITS GRRRRRREAT..... Must be realized....

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